Press kit
THE NEW BOARD FOR 2017-2019
At the annual General assembly of April 20th, the bi-annual election too the board resulted in five new elected ordinary members as well as new substitute members. The new board is
Congratulations to the electees and thanks to all the candidates and participants in the annual meeting.
15/02/2016
Our unique collection of drawings from 1800 are currently shown at the exhibition “Friendship Portraits from Rome” (Venskabsportætter fra Rom) at Nivaagaard Museum in Denmark. For the first time ever. The exhibition is built on the portrait genre Freundschaftsbild, a well-known genre in Germany.
It seems that the Scandinavians were very inspired by the romantic period’s idea of close friendships between two men, especially two artists. This kind of spiritual friendship was also worshiped by the Scandinavian artists in Rome, and the portraits bare witness of these friendships. The drawing of a young H.C. Andersen made by Albert Küchler in 1835 is a fine example. Andersen admired Küchler and wrote poems for him. The portrait by Carl Bloch of the Swedish sculptor Frithiof Kjellberg is another example of an important friendship.
The artists often lived together, inspired each other, discussed their work and helped each other while staying in Rome. Most of them did neither have a wife nor family in Rome. The Scandinavian colony was big and often isolated themselves from the Italians, most often seeking each others company. Their friendships often made an impact on the artists’ work, and in some cases even changed the orientation of their art – e.g. Carl Bloch who, inspired by the Swedish painter Mårten Eskil Winge, made a shift from portraits to historical paintings.
The exhibition catalogue tells us many new anecdotes about how the Scandinavian artists were a closely knitted group, working and living together, even sharing workshops. Carl Bloch has a portrait of the Swedish sculptor Frithiof Kjellberg, who shared a workshop with the Danish sculptor Lauritz Prior, the Finnish sculptor Walter Runeberg and later also the Norwegian sculptor Brynjulf Berglien. Their atelier was named the “Scandinavian Academy” by their friends.
The exhibition is about friendship, and bare witness of the importance of friendship between artists. Our drawings are shown for the first time to the public and we are delighted and proud. We should like later on to show the exhibition in other Nordic countries and in Rome, and will work on that to happen. We are happy to say, that making friends between artists in Rome still goes on in Skandinavisk Forening, almost 200 years later than Küchler’s portrait of H.C. Andersen.